The win/win/win of Artists’ Philanthropy

IMG_4468

Most artists work hard for every dollar they earn.  If they sell at gallery shops or offer work online, they create many pieces of which only some will actually be sold; and how many pieces will eventually sell is an unknown financial outcome.  If they do commissioned work, they spend extra time in the back-and-forth with customers and in trying to read each customer’s mind.  Many artists live simply as a trade-off for having time and freedom to create, and embrace this trade-off mindfully.

IMG_5298

 

I want to encourage fellow artists to find ways to become philanthropists: offer some work to support organizations that do good in the world.   There are so many groups that hold silent auction fundraisers, and the auction items can be “things” or can be experiential.   By participating, the artist gains exposure — often connecting with folks who are attracted to philanthropy and support of the arts; the attendees have the opportunity to see art work close up and to purchase art work at excellent prices; and the organizations benefit from additional support.

IMG_0018

Even a small item that represents the best of your work and that may not be expensive might allow an attendee to place a successful bid.  Your actions speak for you: your philanthropy communicates your interest and gives your work greater resonance.  Locally, some of the organizations to which I’ve donated work or a portion of sales from my work include public broadcasting, Clearwater Conservancy, PASA (for sustainable agriculture),  an animal shelter, Women’s Resource Centre, Choral Society, various religious organizations, Global Connections (promoting international friendship), museums, For the Love of Fiber…  It feels so good to help these groups, it adds purpose to the hours I spend in the studio.

IMG_4839

When you work, you might set aside a few pieces so that if you’re asked to contribute, you’ll have something on hand; some organizations do not give artists much advance notice, while others ask far in advance of the events.  You may not have the money to give, but you can participate through your creativity!

 

 

Published in: on January 27, 2017 at 4:57 pm  Comments (3)  

Working With Hand-Spun Yarn

img_0944Hand-spun art yarn is expressive, playful, one-of-a-kind… and challenging to use!  In this loopy, stretchy scarf, I combined two small skeins of mostly-merino singles — embellished with lots of curly wool locks — which I had spun on a drop spindle; and used an elongated stitch to knit a very soft scarf long enough to wrap/drape/tie.  I added some dyed remnant sari silk strips as rustic fringes.  Since I had lightly felted the yarn after spinning, this scarf may be hand-washed without losing any of the “full-bloom” character of the yarn.

img_0936img_0946

Published in: on January 10, 2017 at 7:59 pm  Leave a Comment  

Hand Spun & Felted: Art Yarn

img_0858

I spun all of these yarns with a drop spindle, first blending the fibers for (all but one of) them with my workhorse Louet drum carder.  After spinning, each skein is lightly felted: worked in alternating baths of hot and cold water, to which I’ve added a bit of pure, lavender-infused soap; then each skein is towel-dried and thwacked on a hard surface about ten times til the fibers “bloom” into full texture.  After they dry, I wind them into balls.

img_0862

Now they are  waiting to be used: embedded into felted scarves as surface decoration and fringes; fabricated into wearable skeins; crocheted into cowls; tied around packages; worked into fiber projects as embellishments.  These yarns are highly-textured combinations of all sorts of fiber with curly locks, fabric strips, little tufts of baby-soft Cormo fiber, remnant sari silk threads.  I hope that in seeing these images, you feel the joy and gratitude I feel when I work with these fine-quality fibers!

Published in: on December 18, 2016 at 7:37 pm  Leave a Comment  

Felted Dot Scarf

img_0857

The weather outside may be icy, but in my studio things are warm.  This felted scarf with a dot motif is 9″ x 66″ — long enough to wrap in different ways — is crafted from 3 layers of very fine merino (with some soft curly locks added at the two edges as fringe) and felted just to the point of still having a graceful and soft drape.  It weighs just 4 ounces: soft, warm, one-of-a-kind. The underneath layer is a warm red, the mid-layer is a deep aubergine, and the top layer is ruby red with dots in every color.

 

img_0856

img_0852I will be delivering this scarf to The Gallery Shop in Lemont, PA — unless it finds a good home before delivery!

Published in: on December 18, 2016 at 6:08 pm  Comments (2)  

Eco-Dyeing and Printing

Happy to be taking Nicola Brown’s online course in Eco-Dyeing, and looking forward to setting up a little outdoor dye kitchen again!  Here are some images from my prior efforts to learn this magical process…

IMG_5213

IMG_5141

My little outdoor dye kitchen from last time.  This time I won’t be using the crockpots, but instead will be using some vintage aluminum pots, the old aluminum turkey roaster seen in this image, and one fabulously large 80 quart aluminum stock pot on my two-burner electric stovetop.  And I’ll use a lower and very sturdy table, to make it easier to access the largest pot.

The brass and copper vessels, along with the old tin cookie cutters (seen on the left of the table)  can be used to influence the hues obtained from botanical elements.  I’ve been gathering leaves, onion skins, acorns, elderberries, chestnuts over the past weeks.  Next, I’ll fabricate some felt shawls from un-dyed white merino wool and silk fibers to add to the stash of various silk scarves and silk yardage in my stash; and soak some old tin cans and iron nails to create “iron water.”    I would love to learn this process well enough to confidently share it with others, because the experience of gathering botanical elements and working outdoors, of bundling the yardage and the elements together and steaming/processing them, then letting things cool and set — and then the dramatic reveal of  unbundling — it’s all so grounding and satisfying.  And when it’s done you have something unique, wondrous and perhaps even purposeful, and you’ve learned some things to apply to the next exploration!

Published in: on October 15, 2016 at 2:31 pm  Leave a Comment  

Art As Antidote

img_0745

This may look like a fiber pizza, but it is the layout in-progress for a felted card series.  My working title for the series is “The Antidote,” because the hours I spent in the studio filling my work tables ( with approximately eighteen inches by eight-and-a-half-feet of fiber,  around five ounces) felt like the antidote to the anxiety of this dismal election season.

The base and much of the embellishment are from one of The Yarn Wench’s (a.k.a. Lynn Wigell) Wild Card Bling Batts.  I usually fabricate my own batts on my beloved Louet drum carder, or I layer wool and other fibers for my work; but Lynn’s creations are so jam-packed with curls and artistically-blended tones that it’s pure pleasure to open up one of her batts as inspiration for a studio day or for spinning some yarn.  To her batt I added silk fabrics and more curly locks and additional merino wool wisps.

Sometimes in crafting felted cards I work on developing individual small compositions, each one to become a separate card; other times I just let myself experiment with layering different colors and fibers to see how they will interact in the process — and then I look for areas that can be cut into card-size shapes.

This was a fun experiment: free form and wild and wooly.  In fact, when completed, this layout offered about fifty areas that were interesting small compositions to cut into cards, and the leftover pieces will provide “pre-felt” yardage with shimmer and texture for future work.

If you would like to learn how to craft felted card images, please let me know via private message or email (aspangborn@gmail.com), providing your email address;  and I will add you to my list and contact you with info about winter 2017 workshops.

Here’s an image from an earlier series, crafted from layers of merino and silk fiber, with some silk fabric embellishment:IMG_4540

Published in: on October 15, 2016 at 2:17 pm  Leave a Comment  

Creating Your Life: 7 Weeks of Color!

I’ve created a Facebook Group, “Creating Your Life: 7 Weeks of Color!” to nurture creativity by inviting people to join me in focusing on one color each week for seven weeks, starting September 12. I’ll provide inspiration and wholesome snacks (just kidding… no snacks) and welcome members in this “closed group” (only members can […]

via Creating Your Life: 7 Weeks of Color! — Wooly Bliss

Published in: on September 3, 2016 at 3:44 pm  Leave a Comment  

Eco-Printing

IMG_0635.JPG

Preparing by gathering late-summer elements: elderberries!

 

Published in: on August 31, 2016 at 3:24 pm  Leave a Comment  

Simplicity, Service, and the Goose That Lays the Golden Egg

IMG_0455In the story of “The Goose That Lays the Golden Egg,” that poor goose is always cut open by greedy folks who think that there will be a treasure trove of golden eggs inside; but instead, once opened it’s just a regular — and now, dead — goose.  There are no golden eggs inside.

I think about this cautionary tale often, and lately I’ve been thinking of how it relates to my own desire to “do it all” — not because I am wildly productive, but because I want to plan possible, rather than impossible, days; and to feel encouraged at the end of the day; to feel patient and realistic, optimistic and humble; and live gratefully within the means of my energetic output that is the equivalent of one small golden egg per day, keeping my promises to myself and others.

I have to rediscover this attitude every day, throughout the day.  Simplicity and “not doing” is the preparation that makes whole-hearted, loving participation with others, as well as creative work, possible.

Published in: on August 8, 2016 at 9:22 pm  Leave a Comment  

Art Work

IMG_3506
Sometimes our days are a twirl of extreme happiness and extreme sorrow: all in one day we hear fantastic news from someone we love and we sense their elation; we comfort a friend who is grieving; we reach out to someone in need of healing; we are stunned and shocked by the world news.

We might choose one or the other state of being: happy or sad; or perhaps the qualities of joy and anguish could cancel out each other, leaving us numb.  We might seek to numb our own sensibilities one way or another, rather than accept so much emotion.  How can we celebrate a moment of great joy and also honor our grief and helplessness without feeling ourselves ricochet?  What seems like an either/or choice doesn’t have to be a choice.

For many artists I know, we navigate this as we do our work: we let all of the feelings flow through us, beyond words, and flow from us into our artistic expression, which then speaks for us.  Our gratitude, our trembling and tears, our longing for understanding and grace, our hope: powerful art contains the energy of these swirling elements of experience.   We can feel each singular emotion and also a synthesis of all the emotions resonate deeply within us, and perhaps find peace in a simple way, just by accepting how much is going on within and around us.IMG_0455

 

 

Published in: on July 20, 2016 at 6:52 pm  Comments (2)